Jurassic Park 35mm 1080p Version Cinema Dts Superwide Open Matte Work

Unlike Dolby Digital (which was printed between the sprocket holes of the film), DTS used a timecode synced to a separate CD-ROM. The 35mm print had a special optical track that read the DTS timecode, triggering audio from a bank of CDs.

: Unlike the standard theatrical release (1.85:1), this version uses an open matte format, which reveals more of the top and bottom of the frame. While this shows more of the 35mm negative, it often reveals production equipment such as boom microphones and cables that were meant to be hidden by the theatrical crop. Unlike Dolby Digital (which was printed between the

It is not piracy for piracy’s sake. It is . While this shows more of the 35mm negative,

To understand the appeal of an open-matte version of Jurassic Park , one must first understand how Steven Spielberg and cinematographer Dean Cundey shot the film. To understand the appeal of an open-matte version