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The Indonesian film industry has experienced an explosive, high-production era, transitioning from purely local interest to significant international acclaim.

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Under President Suharto’s New Order, culture was a tool of development ( pembangunan ). The state promoted “high” Javanese and Balinese arts while suppressing overtly Western rock (which was labeled “xenocentric”) and certain forms of local expression deemed subversive. Television (TVRI, the sole channel until 1989) was an educational and propaganda tool. The Indonesian film industry has experienced an explosive,