My Way-the Best Of Frank Sinatra 2 Cd Collectio... ((new)) -

| Track | Title | Year & Collaborators | Notes | | :--- | :--- | :--- | :--- | | 1 | | 1968 | An anthem of self-determination and individuality. | | 2 | Strangers In The Night | 1966 | Won Sinatra two Grammy Awards, including Record of the Year. | | 3 | Theme From New York, New York | 1979 | Sinatra's signature song, performed at almost every concert thereafter. | | 4 | I Get A Kick Out Of You | 1962 | A classic Cole Porter tune from Sinatra's Reprise years. | | 5 | Somethin' Stupid | 1967 | A charming duet with his daughter, Nancy Sinatra, that topped the charts. | | 6 | Moon River | 1961 | A definitive rendition of the Johnny Mercer/Henry Mancini classic. | | 7 | What Now My Love | 1966 | A dramatic and powerful ballad showcasing Sinatra's vocal prowess. | | 8 | Summer Wind | 1966 | A breezy and nostalgic summer standard. | | 9 | For Once In My Life | 1967 | An uplifting and joyful performance that became one of his signature hits. | | 10 | Love And Marriage | 1955 | Re-recorded for the Reprise years, best known as the theme song for the TV show Married... with Children . | | 11 | They Can't Take That Away From Me | 1962 | A swinging, defiant Gershwin standard. | | 12 | My Kind Of Town | 1964 | An ode to Chicago, written for the film Robin and the 7 Hoods . | | 13 | Fly Me To The Moon (In Other Words) | 1965 | A swinging masterpiece recorded with the legendary Count Basie and his Orchestra. | | 14 | I've Got You Under My Skin | 1963 | A powerful rendition of the Cole Porter classic, featuring a stunning orchestral arrangement. | | 15 | The Best Is Yet To Come | 1964 | An optimistic and swinging classic, also recorded with Count Basie. | | 16 | It Was A Very Good Year | 1965 | A reflective and bittersweet masterpiece that won a Grammy Award. | | 17 | Come Fly With Me | 1958 | An invitation to adventure and the original jet-set anthem, re-recorded for Reprise in 1965. | | 18 | That's Life | 1966 | A gritty, defiant anthem about resilience and bouncing back from hardship. | | 19 | The Girl From Ipanema | 1967 | A smooth and cool interpretation of the bossa nova classic, recorded with Antonio Carlos Jobim. | | 20 | The Lady Is A Tramp (Live) | 1965 | A lively, swinging live version that captures Sinatra's charisma in a concert setting. | | 21 | Bad, Bad Leroy Brown | 1973 | Sinatra's cover of Jim Croce's hit, showing his willingness to embrace contemporary songs. | | 22 | Mack The Knife | 1984 | A later-career recording of the Bobby Darin hit from the album L.A. Is My Lady . | | 23 | Love's Been Good To Me | 1969 | A reflective, autobiographical piece from the album A Man Alone . | | 24 | L.A. Is My Lady | 1984 | The title track from his final studio album, produced by the legendary Quincy Jones. |

Here are just a few reasons why "My Way: The Best of Frank Sinatra 2 CD Collection" stands out: MY WAY-THE BEST OF FRANK SINATRA 2 CD COLLECTIO...

: A live performance of "The Lady Is a Tramp" from Madison Square Garden (1974) and "L.A. Is My Lady" conducted by Quincy Jones. | Track | Title | Year & Collaborators

While hardcore collectors might argue over which specific studio session was superior, as a standalone listening experience, this 2-CD set is unbeatable. It offers high fidelity, iconic artwork, and a tracklist that flows effortlessly from a night on the town to a quiet evening at home. It is an essential addition to any music library. | | 4 | I Get A Kick

The 2 CD collection typically comes with a gorgeous 20-page booklet featuring rare photos from the Reprise vaults, liner notes by Sinatra biographer John Rockwell, and track-by-track recording dates. You aren't just buying audio; you are buying a history lesson.

Note: Track listings vary slightly by region (US vs. EU pressings), but the standard core remains.

One of the standout features of this specific 2 CD collection is its acclaimed sound quality. Reviewers frequently note the "crystal clear and dynamic" nature of the recordings, which makes the listener feel as if they are present in the studio with Sinatra. The album has an SPARS code of , meaning it was recorded in analog, but mixed and mastered digitally. This meticulous approach to audio restoration allows the "genial and bombastic" orchestra to shine, with every brass swell and string glide perfectly balanced behind "the powerful organ of the master himself".