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The problem is equally severe in Nigeria, where police spokespersons have publicly criticized musicians for lyrics that glamorize drug use and could contribute to substance abuse among young people. In Korea, streaming platforms have been criticized for excessive depictions of alcohol consumption, with broadcasts affecting underage viewers by normalizing intoxication and self-destructive misconduct. The average number of drinking scenes per broadcast hour in Korean television programming has risen dramatically, from under 0.5 in 2019 to 1.1 by 2023.

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The show goes beyond mere depiction to something far more insidious. In one episode, the main character Rue—a high schooler—instructs viewers on how to cover up drug use and "gaslight" friends and family. The on-screen text reads: "How to get away with being a drug addict. Step 1. Find a cover drug... Step two: Gaslight". The Parents Television Council called this "incredibly reckless," noting that at a time when teens are suffering from unprecedented levels of anxiety, depression, and suicidal ideation, a program targeted at teenagers is "basically telling teens to self-medicate with illegal narcotics, and then instructing them on how to conceal their drug use from loved-ones". The problem is equally severe in Nigeria, where

Ultimately, the saga of Overdose , Evil Angel Entertainment, and popular media serves as a case study in how society processes transgressive art. It highlights the delicate balance between creative freedom and societal anxiety. While the moral panic surrounding the release has long since faded, the blueprint it left behind remains. This public link is valid for 7 days